I use photography because of it exasperating insistence on reproducing whatever is left in front of the camera. By making every mistake relevant, photographs become so easy to look at, and so difficult to understand.

In this project I am drawn to textures, miscalculated lines and imperfect circles.

By using simple homely fragments and with help from some little dainty creatures, submerged in excessive patterns, I highlight some forgotten corners in our comfortable surroundings, to create an absurd combination of foolish melancholy and incomplete comedy.


  Elisabet Noguera
  Perhaps finally alone